Pourvu qu'on ait l'ivresse
(Jean-Daniel Pollet, 1957, KINOTE)
Pourvu qu'on ait l'ivresse (Jean-Daniel Pollet, 1957, KINOTE) from jeanne dielman on Vimeo.
Mediterranée
(Jean-Daniel Pollet, 1963)
1/5
Friday, May 06, 2011
double pollet
Pourvu qu'on ait l'ivresse
(Jean-Daniel Pollet, 1957, KINOTE)
Mediterranée
(Jean-Daniel Pollet, 1963)
1/5
Wednesday, May 04, 2011
Tuesday, May 03, 2011
Wednesday, April 27, 2011
Saturday, April 23, 2011
Sunday, April 10, 2011
Saturday, April 09, 2011
JAIME
AVISO! Se puderes,
faz um favor a ti próprio e não ponhas este vídeo em on
se souberes que tens como ver isto no cinema,
na cinemateca ou nalguma mostra, cine-clube ou festival.
JAIME
ANTÓNIO REIS (1974)
Wednesday, April 06, 2011
Tuesday, April 05, 2011
Monday, April 04, 2011
Thursday, March 31, 2011
Lang e Friedkin
"One day, we walked into an appartment house where a man was accused of murder. We found cut off hands under his bed. Or another one - whom I never met, I heard, only, about him - who made sausages out of wondering young people, you know? But as long as you haven`t seen what I saw. For example, let me see, a woman in a small shop - where you can buy food and cans and anything - lying killed over the table where she sells things, you know?
The blood drops in, drops, drops... Only then you can understand why the police is for capital punishment."
Fritz Lang
Wednesday, March 09, 2011
Sunday, March 06, 2011
UMA HISTÓRIA DE VENTO!!
Garantidamente, a melhor prenda que podiam dar a vocês próprios.
Um verdadeiro achado, entre a imensidão do Youtube. Um agradecimento à alma bondosa que tão bem partilhou.
UNE HISTOIRE DE VENT
JORIS IVENS (1988)
Thursday, March 03, 2011
Tuesday, March 01, 2011
Sunday, February 27, 2011
Friday, February 25, 2011
Wednesday, February 23, 2011
Tuesday, February 22, 2011
DOUBLE DURAS!
Curtas de Marguerite Duras
Cesarée
1978
les mains négatives
1978
Cesarée
1978
Cesarée (1978) from BelofBradford on Vimeo.
les mains négatives
1978
Les mains négatives (1978) from BelofBradford on Vimeo.
Thursday, February 17, 2011
LOTTE REINIGER
Thumbelina
Lotte Reiniger
Thumbelina Lotte Reiniger
Enviado por BFIfilms. - Assista vídeos originais da Internet.
Tuesday, February 15, 2011
Friday, February 11, 2011
No More Workhorse Blues
NO MORE WORKHORSE BLUES by Bonnie "Prince" Billy
video directed by HARMONY KORINE
Tuesday, February 08, 2011
IRANIAN PROTEST FILM
Untitled ('For Jafar Panahi & Mohammad Rasoulof') - Protest Film by (anonymous) Iranian Filmmaker from Cine Foundation International on Vimeo.
Monday, January 24, 2011
Apresentando
Conde Ferreira
Daltonic Brothers
conde ferreira
daltonic brothers | Myspace Video
via Patrick Mendes. Obrigada.
Screentests.
B&W 16mm Screentests
Matt Porterfield
B&W 16mm screen tests from Matt Porterfield on Vimeo.
Friday, January 21, 2011
VULTURE.
UNTITLED (VULTURE IN THE STUDIO)
João Onofre
The absurd can often be a revealing window into reality. Items out of context, people out of place heighten awareness and make deliberate reflection inevitable. João Onofre’s work Untitled (Vulture in the Studio) is just such a confrontation, offering a seemingly innocuous set – the artist’s studio – and imbuing it with an irrationality that leads the viewer into another realm of interpretation. At first, we see nothing but an empty studio, clear in its purpose, harmless in its implications. Slowly, we become aware of curious sounds infiltrating the space: ominous scratching, dragging steps. Casually expecting a human being, we are immediately set off balance by the appearance of an enormous vulture, displaced and frightened. The animal takes its time exploring the details of its confinement, pecking randomly at books and papers, jumping awkwardly from floor to shelf. As it balances itself tediously on its makeshift perch, it stabs violently at the paper trail left behind by the studio’s owner, wobbling uncomfortably, breathing heavily, unsettled by the restricted space. It attempts flight but is unable to really go anywhere, and we are left feeling rather sorry for this poor soul, trapped in a world that has no markers of its existence.
In Egyptian mythology, the vulture has been allegorized as a purifier, while in alchemy, the vulture is the symbol of sublimation, the relationship between the fixed aspects of life and the chaotic. This role of mediator is made even clearer in Onofre’s studio, as the bird tries to make sense of this world, our world of tangible limits and boundaries.
The overwhelming image of the impressive animal in turmoil, questioning and challenging its surroundings echoes the daily human struggle to deal with the constructed nature of our being. We are reminded that we are also active intermediaries between the ordered and the chaotic, and that despite our best efforts, we are often equally as frightened and displaced. But beyond the allegorical, beyond the symbolism, within the stifling borders of the artist’s studio, this great bird is also brought down to earth, back to reality. Out of its element, removed of its majestic context, it is after all just a bird, a bit too big, not very attractive, and very unsure of itself.
Saturday, January 15, 2011
Wednesday, January 12, 2011
Tuesday, January 11, 2011
: Nostalgia
(nostalgia)
Hollis Frampton
"In (nostalgia), Frampton is clearly working with the experience of cinematic temporality. The major structural strategy is a disjunction between sound and image. We see a series of still photographs, most of them taken by Frampton, slowly burning one at a time on a hotplate. On the soundtrack, we hear Frampton's comments and reminiscences about the photographs. As we watch each photograph burn, we hear the reminiscence pertaining to the following photograph. The sound and image are on two different time schedules. At any moment, we are listening to a commentary about a photograph that we shall be seeing in the future and looking at a photograph that we have just heard about. We are pulled between anticipation and memory. The nature of the commentary reinforces the complexity; it arouses our sense of anticipation by referring to the future; it also reminisces about the past, about the time and conditions under which the photographs were made. The double time sense results in a complex, rich experience." - Bill Simon
Wednesday, January 05, 2011
Tuesday, January 04, 2011
1º filme de JLG
Excerto de 7min de
Opération Béton
JEAN-LUC GODARD (1954)
Música, Gráficos, etc, de autoria desconhecida
Friday, December 31, 2010
Monday, December 13, 2010
VA BENE!!
CORREI, MORTAIS, CORREI
PARA O YOUTUBE.
ALVÍSSARAS PÚBLICAS
ÀS ALMAS GENEROSAS.
Otello
por Carmelo Bene
Agora ide, que há também AMLETO!
PARA O YOUTUBE.
ALVÍSSARAS PÚBLICAS
ÀS ALMAS GENEROSAS.
Otello
por Carmelo Bene
Agora ide, que há também AMLETO!
Wednesday, December 08, 2010
"...it all seems to evade from our present memory"
[film] memory
by Pedro Maia
SUPER 8 TRANSFERED TO BETACAM PAL, COLOR, STEREO, 7’, 2007
Film by Pedro Maia
Music by Panda Bear
Sunday, November 28, 2010
Anna May Wong in
The Toll of the Sea
Directed by Chester M. Franklin (1922)
1/5
It's the first feature film produced using Technicolor.
Loosely based on Puccini's opera Madame Butterfly.
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